OVED firstname.lastname@example.org_county.toronto.globe_and_mail 2003-07-09 published
Activist established blue box program
Radical became known for putting pressure on government, corporations
By Martin MITTELSTAEDT Wednesday, July 9, 2003 - Page R7
Toronto -- One of Canada's most influential environmental activists, Gary GALLON, died Thursday in Montreal after a long battle with cancer.
Although Mr. GALLON may not have been a household name, Canadians almost everywhere will recognize one of his major achievements, the setting up of the country's first blue box recycling program in Ontario during the late 1980s.
He also had a hand during the 1970s in establishing Greenpeace, and maintained a lifelong passion for environmental causes evident in his series of twice-monthly newsletters, called the GALLON Environmental Letter.
"I've always been bothered by excess consumption and wanton destruction of habitat. Human ethics must allow space for other creatures," he said recently.
Born in the United States in 1945, Mr. GALLON moved to Canada in the late 1960s to avoid the draft during the Vietnam war. He settled in Vancouver and began working by writing newsletters promoting mining stocks listed on the Vancouver Stock Exchange.
After work, he turned to his true passion, the environment, joining the nighttime meetings of the Society for the Promotion of Environmental Conservation, a group that at the time opposed the use of the British Columbia coast for supertanker routes.
"He became concerned that what he was doing [by selling stocks] was causing environmental damage," said David OVED, a Toronto environmental consultant who worked with him in the Ontario government.
Mr. GALLON's biggest impact on the country's conservation movement occurred when he was senior policy adviser for Jim BRADLEY, Ontario's Liberal environment minister from 1985-90, one of Mr. BRADLEY's surprise hires.
It was a risky move for the new Liberal government to employ one of Canada's leading environmental radicals for such a post.
Mr. GALLON instantly became known as one of " BRADLEY's brats," the moniker given the group of dedicated environmentalists assembled by Mr. BRADLEY within the Ontario government who helped originate such programs as the blue box and the province's acid rain reduction program.
In the mid-1980s, municipal recycling had been an experimental effort in a few communities.
Mr. GALLON worked to establish the blue box across the province. Mr. OVED said Mr. GALLON could often influence opponents within the government through his use of the inventive turn of phase or image.
In one particularly bitter debate, cabinet was discussing preservation of Ontario's Temagami forest region, an area containing some of Canada's last remaining stands of towering old growth red and white pines.
Mr. OVED said some politicians were questioning why environmentalists in Toronto and elsewhere in Southern Ontario were arguing to preserve a forest in the north that they might never see.
Mr. GALLON said forest preservation was part of the ideal that Canadians held of the society they would like to be part of.
"Gary's comment was 'People here may never see those forests, but they value green spaces in their minds,' Mr. OVED said.
Mr. OVED said the turn of phase impressed then-premier David PETERSON, who began to affectionately call Mr. GALLON and Mr. BRADLEY's other environmental activists "space cadets."
Some of the biggest run-ins that Mr. GALLON had during the 1980s were with Inco, one of Ontario's major emitter of chemicals that cause acid rain.
At one testy meeting, Mr. GALLON, dressed in a pink shirt, had exchanges with Inco's former chairman, Chuck BAIRD, who was later so annoyed at being pressed on the company's pollutants, that an Inco official called Mr. BRADLEY to complain.
"I got a call the next day asking who where those young radicals in pink polo shirts asking those impertinent questions," Mr. BRADLEY said.
Television broadcaster and Greenpeace founder Robert HUNTER said that Mr. GALLON related to him that the Inco chairman "had never run into such serious sass from mere political minions."
Of his experience in government, Mr. GALLON once said "you have less room to rail but more power to get things done."
Mr. GALLON suffered from colon cancer, which had spread to his lungs and liver.
Despite the pain of the disease and its treatments, he kept up his hobby of competitive swimming, winning in his age group in a Quebec swim meet last year, according to Mr. OVED.
Last month, the Royal Canadian Geographic Society's magazine gave Mr. GALLON its national environmental award for lifetime achievement.
Mr. GALLON was picked in 1977 to be executive director of the Nairobi-based Environment Liaison Centre International, where he met his wife-to-be, another prominent Canadian environmental activist, Janine FERRETTI.
Ms. FERRETTI was executive director of the North American Free Trade Agreement Commission for Environmental Cooperation and now holds a senior position with the Inter-American Development Bank in Washington. Mr. GALLON is survived by his two children, Kalifi and Jenika.
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OVERDUIN email@example.com_county.toronto.globe_and_mail 2003-01-03 published
Virtuoso possessed 'nerves of steel'
Ontario trumpeter and music professor renowned for his recordings and his mentoring
By Sol CHROM Friday, January 3, 2003, Page R11
He could make his trumpet sing like an angel, but he was not above taking a hacksaw to it. When Erik SCHULTZ died of cancer last month at the age of 50, Canadian music lost a virtuoso player, a teacher and mentor, a prolific recording and performing artist, and a man renowned among colleagues as a consummate professional.
A member of the music faculty at the University of Western Ontario, Prof. SCHULTZ also made several concert tours of Europe and founded an independent recording label for Canadian musicians. He held positions with Canadian orchestras in Calgary, Hamilton, London, Ontario, Toronto, and Windsor, Ontario He also established an international reputation with an extensive repertoire of recordings of his own, specializing in music of the Baroque period.
Prof. SCHULTZ's musicianship and professionalism were noted by numerous colleagues, both in academia and in the performing arts. Canadian Broadcasting Corporation broadcaster Keith HORNER, who worked on several recordings and radio programs with him, recalled his "bright, clear, ringing tone." Mr. HORNER praised Prof. SCHULTZ for his expertise with the piccolo trumpet, which he described as a very difficult instrument to master.
"It requires nerves of steel," he said. "With Erik, you didn't hear the work in it. He made it sound effortless -- and that was all smoke and mirrors, because it takes a great deal of physical effort."
Prof. SCHULTZ may have been known best for a series of albums he recorded with organist Jan OVERDUIN. The recordings were made in Kitchener, Ontario, and in Germany, and were issued both on vinyl and on compact disc. The two musicians first teamed up in Europe, where they were both touring in the mid-1980s, setting the stage for a collaboration that lasted until Prof. SCHULTZ's death.
In an interview from Waterloo, Ontario, Prof. OVERDUIN recalled his colleague as an enthusiastic participant in all kinds of musical events, both amateur and professional. "He would just transform the whole experience," Prof. OVERDUIN said. "There were times when I just stood in awe -- he'd be communicating with the audience on a level that was just beyond us."
Prof. OVERDUIN also cited his friend's commitment to musicianship, often displayed under rather trying circumstances. On one European tour, a delayed flight to Portugal saw them arrive in Lisbon with very little time to prepare for a concert. The difficulty was heightened by the fact that both musicians had gotten quite sick and had to find a doctor in Lisbon who could prescribe antibiotics.
And many performances in Europe, Prof. OVERDUIN said, were staged in old churches wherein the temperature or tuning of the organ posed their own special challenges. Since the organs couldn't be moved or modified, Prof. SCHULTZ would have to make adjustments to the pitch of his trumpet. Frequently this would require him to carry extra mouthpieces or lengths of tubing, but even that wasn't always enough.
"One day he had to get a hacksaw and physically saw out a piece of the trumpet," Prof. OVERDUIN recalled. "These were historic organs -- I would have a wonderful time, but it could be difficult too. [Sometimes] they would have weird historical temperaments, but he would adjust immediately."
Prof. SCHULTZ's commitment to music extended beyond his own career, however. In 1993, he and his father started IBS Recordings, a label for independent Canadian artists, eventually releasing more than three dozen titles. Flutist Fiona WILKINSON, one of Prof. SCHULTZ's colleagues at University of Western Ontario, recorded for the label as a member of the Aeolian Winds, and praised him for his generosity. Having established his own international recording career with the German label EBS, she said, he used IBS to support and nurture the initial careers of Canadian musicians. "He would interview and audition artists and take on projects that he felt deserved to be known."
"He positioned it as a discovery label," Mr. HORNER said. "He was ambitious -- he was looking for a recording studio so that he could have some control over sound quality."
Prof. WILKINSON also praised Prof. SCHULTZ for his collegiality. He raised the bar for the people he worked with, she said, acting as a role model for students and colleagues. "He had incredibly high standards. Everything he touched had to meet them."
But Prof. WILKINSON also remembered Prof. SCHULTZ for his sense of humour, and the real-world experience he brought to his teaching and academic work. "He knew what it was like to be 'out there,' " she said, "and he brought that back to the students."
Even with his illness, Prof. SCHULTZ never lost his enthusiasm for performing.
"He lost his voice, and couldn't talk on the phone, but he could still play," Prof. OVERDUIN recalled, noting that Prof. SCHULTZ still played at convocations last June. "It hurts me to think we'll never play again."
Erik SCHULTZ leaves his wife Kelly, his children Daniel, David and Nicole, and two sisters.
Erik SCHULTZ, musician and teacher; born in Hamilton, Ontario, August 29, 1952; died in London, Ontario, December 1, 2002.
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