MADAHBEE
MADDEN
MADDREN
MADILL
MADORE
MADRAS
MADRID
MADAHBEE o@ca.on.manitoulin.howland.little_current.manitoulin_expositor 2003-11-05 published
Barbara KING (née
MADAHBEE)
In loving memory of Barbara
KING (née
MADAHBEE) who passed away
Thursday morning, October 30, 2003 at her residence at the age of 73 years.
Beloved wife of Raymond George
KING, predeceased. Will be sadly
missed by her children, Susan
KING and Will
PATHY,
Jane
KING and Ken
PASTO, Debbie
KING and Bill
HOMER, Patrick
KING (wife Jean) and
predeceased by son Kevin
KING.
Special grandmother of Desmond and
Grant KING. Dear sister of Anne
BREYER, Jean
ANDREWS, Ivan
MADAHBEE,
Lillian BUCKNELL, Archie
MADAHBEE, Cecilia
BAYERS, Linda
THIBODEAU,
Patsy CORBIERE,
Tootsie
PANAMICK, Patrick
MADAHBEE and predeceased by
Veronica McGRAW, Lawrence
MADAHBEE, Elizabeth
KING, Eli
MADAHBEE,
Morris MADAHBEE and Doris
BREWER.
Rested at the Sucker Creek
Community Hall on Sunday, November 1, 2003. Funeral Mass was held at
St. Bernard's Church, Little Current on Monday, November 3, 2003.
Cremation. Lougheed Funeral Home Sudbury.
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MADDEN o@ca.on.york_county.toronto.globe_and_mail 2003-05-28 published
Rev.
John
Francis
MADDEN
By Joan Fidler
BURROW and Reverend Bob
MADDEN
Wednesday,
May 28,
2003 - Page A20
Son, brother, uncle, Basilian priest, teacher. Born October 30,
1921, in Detroit. Died January 5, in Toronto, of cancer, aged
Picture a long stretch of red dirt road in the tropical forest
of central Ghana, West Africa, in 1957. A minivan stops and disgorges
five young Canadian university students, their Ghanaian guide,
and their leader: a slight, youthful-looking priest from Toronto.
He discreetly hands out the toilet paper as his companions disappear
into the lush growth.
Father Jack
MADDEN, C.S.B., was well-suited to be accompanying
the students attending a seminar at the University of Accra in
Ghana.
Born of Irish heritage, he was the eldest of three children of
the late Patrick Henry
MADDEN and Mary Agnes
McKNIGHT.
After
graduating from high school, Jack came to Toronto to enter the
novitiate of the Basilian Fathers. He was ordained a priest in
1948, pursued graduate studies at Harvard, and spent the rest
of his life ministering and teaching in a variety of situations.
Father Jack was a much-beloved English professor at St. Michael's
College, University of Toronto, in the 1950s and 1960s. He loved
words and helped his students love them. He would recite by memory
the etymology, the cognates in sister languages and the story
of their development. Students learning Anglo-Saxon today still
use his "Frequency Word List of Anglo-Saxon Poetry." He was approachable
and never pedantic.
He used the storyteller method, and his enthusiasm for English
literature inspired many of his students. Former students often
refer to his vibrant presentation of the works of Chaucer; one
such student still cherishes the image of "Father
MADDEN sitting
cross-legged on his desk, chuckling as he read aloud from The
Canterbury Tales!" Many have said that he was one of the best
teachers they ever had; all benefited from his zeal, intelligence,
knowledge and compassion.
In 1969, he was assigned to Houston, Texas, where he combined
ministry with teaching at the University of Saint Thomas. He also
served successfully and effectively as chaplain to the parish
grade-school. At that time, one colleague noted, "Saint Anne's
must have the only grade-school in the world whose chaplain has
a PhD from Harvard!"
In 1980, he went to St. Joseph's College, University of Alberta
in Edmonton, where he was involved in campus ministry and taught
theology. Other parish assignments were in Owen Sound, Ontario,
and in Calgary.
Wherever he taught or worked in campus ministry, Father Jack
combined the sacramental and education roles of his priestly
calling as a Basilian. Along with his teaching and parochial
duties, he gave retreats to priests, religious and laity in the
United States and Canada. In almost every diocese and Basilian
Institution in which he served, he was consulted by bishops,
confrères, diocesan priests and religious on matters educational,
spiritual, theological and liturgical.
Father Jack began to experience physical health difficulties
early in 1980. In 1990, he fell victim to neuropathy, which increasingly
affected his walking. At his request, he was appointed to Anglin
House, the Basilian infirmary facility in Toronto on the St.
Michael's College campus, taking up residence there in 1998.
In 2002 he was diagnosed with cancer, which eventually confined
him to bed until his death.
He finished his life's journey on a road paved with loving concern
for others, a dynamic personality, a sense of humour, and a deep
and joyous faith in God. He leaves his brother, Reverend Bob
MADDEN,
C.S.B.; his sister Patricia
SYRING of Toledo, Ohio; six nieces
and nephews and seven grand-nieces and nephews.
Joan Fidler
BURROWS is a former student of John
MADDEN;
Father
Bob, his brother.
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MADDEN o@ca.on.york_county.toronto.globe_and_mail 2003-10-25 published
MADDEN,
Devon
Lee (née
HASSARD)
Died suddenly in Annapolis, Maryland on October 17, 2003. Forever
cherished by husband Robert, daughters Brooke and Page, mother
Enid HASSARD, sister Shelley, and niece Ashley. Predecased by
father Russell
HASSARD.
Cremation, family service. For those
who wish, donations to charity of choice would be appreciated.
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MADDREN o@ca.on.york_county.toronto.globe_and_mail 2003-02-18 published
His voice resonated on airwaves
Veteran read news, hosted shows on Canadian Broadcasting Corporation
Radio and television for four decades
By Allison
LAWLOR
Tuesday,
February 18, 2003 - Page R7
Harry MANNIS, a popular Canadian Broadcasting Corporation announcer
and host whose warm, deep voice graced the country's airwaves
for four decades, died last month in Toronto. He was 82.
Mr. MANNIS started his career with the Canadian Broadcasting
Corp. in Halifax at the end of the Second World War. He was known
across the country, not only for reading the radio news, but
hosting a number of programs including Canadian Broadcasting
Corporation radio's Themes and Variations and Anthology. His
voice was also often heard on the Project, Stage and Fourth Estate.
"He had that great resonance that I envied, " said his long-time
friend and former radio personality Max
FERGUSON. "As an announcer
I have always considered him the best."
Mr. MANNIS preferred radio but also ventured into television,
reading the Toronto metro news and hosting What's New?, a news
magazine geared toward youth, which was launched in 1972.
In radio, he said, you had the option of sitting at the microphone
in an old T-shirt (although Mr.
MANNIS himself was most often
smartly dressed in a turtleneck sweater and dress coat). He also
found it less stressful than television. "It's easier on the
nerves. Only one thing can be a problem -- reading, " he said
in an interview in 1975.
A modest, unassuming man, who stood at just over six-feet tall,
Mr. MANNIS admitted to still having a bout of nerves after almost
three decades in the business.
"Even after 29 years I haven't been able to conquer this feeling,
" he said in 1975.
"When I was doing the Toronto metro television news, I had a
recurring nightmare that when I'd go on the air, all the pages
of the news would be mixed up. It's never happened, but you never
know, " he said.
It was that same fear that prompted him to meticulously check
his work before sitting down in front of the microphone. If he
didn't know a word, or its proper pronunciation, instead of guessing
and taking the risk of being wrong on-air he would head right
to the public broadcaster's man in charge of language and make
sure he got it right.
"Harry never mispronounced a word, Mr.
FERGUSON said.
But like any new radio broadcaster, Mr.
MANNIS, who didn't lack
a wry humour, had a couple of small announcing mishaps in the
early years. One day in Halifax, the city experienced a power
failure. The show still having to go on, Mr.
MANNIS was forced
to read the news from the master control room with someone holding
a flashlight over his shoulder.
Another time, when his microphone was switched on for a station
call he happened to be looking at a drama producer whose last
name was Appleby. Before he knew it, the words coming out of
his mouth were: "This is
CBH,
Applefax."
"Relax for a minute and it's fatal, Mr.
MANNIS said in the
1975 interview. "The minute a mike is turned on, I visualize
a million pairs of ears glued to their radios or television sets,
all eagerly awaiting to pounce on my slightest mispronunciation.
Is it any wonder the tongue cleaves to the palate, the eyes become
glazed, the hand holding the script trembles like a leaf in a
gale?"
Harry MANNIS was born in Toronto on April 11, 1920. He was the
youngest of three children born to Jessie and Benjamin
MANNIS,
who owned a furrier shop. Harry attended Oakwood Collegiate Institute
and met his wife Elizabeth when she moved in two doors down.
The couple married in 1942 and later had a daughter.
"He was like any nice young man, Elizabeth
MANNIS said. "He
was private. He wasn't flamboyant."
After high school, Mr.
MANNIS briefly attended the University
of Toronto before leaving to join the Royal Canadian Air Force.
Stationed in England during the war, he returned home to Canada
in 1946. Uncertain about what to do next, he decided to enroll
in a radio-announcing course at Toronto's Ryerson Institute of
Technology (now Ryerson University).
"We all liked the way he read things at home, " said Elizabeth
MANNIS, who was one of the Canadian Broadcasting Corporation's first female announcers.
Impressed with his voice quality and enunciation (which was untrained),
they told him not to bother with school and sent him to Canadian
Broadcasting Corporation for an audition. He was hired the next
day for an announcing job in Halifax. Within two weeks of his
audition, he was reading the radio news on the East Coast.
"I just happened to be in the right place at the right time,
Mr. MANNIS said of his quick entry into the radio world.
He had had a brush with the airwaves before the war. After learning
to play the piano, violin and clarinet by ear as a child, he
decided to try his hand at singing, fancying himself a pop star
one day.
When he was 17, he appeared on an amateur radio hour show singing
a pop song. He thought he had found the key to his success until,
as he put it, "the pianist refused to play slowly, and I refused
to sing fast, and the result was pandemonium."
"Music came naturally to him, " Elizabeth said. "The same with
announcing, he didn't have to struggle with it."
Mr. MANNIS remained with the Canadian Broadcasting Corporation
until his retirement in the mid-1980s. He was widely liked and
respected by his colleagues, who called him a "class act." Judy
MADDREN, host of Canadian Broadcasting Corporation Radio's World
Report, wrote in a condolence note to his family that Mr.
MANNIS
was a "true gentleman" who always treated her with respect and
without condescension.
An animal lover, Mr.
MANNIS and his wife took in stray animals
and supported a local organization called the Toronto Wildlife
Centre, which helps rehabilitate injured wildlife.
Mr. MANNIS died of cancer on January 2 in a Toronto hospital.
Besides his wife, he leaves daughter Kate and two grandchildren.
Harry MANNIS, born in Toronto on April 11, 1920; died in Toronto
on January 2, 2003.
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MADILL o@ca.on.york_county.toronto.globe_and_mail 2003-08-23 published
Artist focused on geometric shapes
Sculptor helped to design precast concrete panels that sheathe
the University of Toronto Medical Sciences Building
By Carol COOPER
Special to The Globe and Mail Saturday, August
23, 2003 - Page F8
Robert DOWNING thought that he needed lessons in order to become
an artist. Entering a storefront studio in his hometown of Hamilton,
he paid the $1 fee and was asked what he wanted to make. When
he replied that he didn't know, the studio owner told him to
come back when he did and gave him back his buck.
Turning to the door, Mr.
DOWNING realized that whatever he did
was in his own hands. Deciding upon this as the subject of a
sculpture, he paid again and, in clay, fashioned a hand with
a spike through it. Upon seeing the sculpture, the studio owner
returned Mr.
DOWNING's dollar, saying, "You don't need me. You
know what you want to do."
A creator of sculptures, paintings, prints, photographs and digital
art, Mr. DOWNING has died at the age of 67.
His work appeared in the Ontario Centennial Art Exhibit, the
National Art Gallery of Canada Sculpture '67 Exhibit and
at Habitat
during Expo 67. In partnership with sculptor Ted
BIELER,
Mr.
DOWNING designed the precast concrete panels that sheathe the
University of Toronto Medical Sciences Building and, on his own,
designed two of its interior concrete-sculpted walls.
In 1969, he was the first Canadian to have a solo exhibition
at the Whitechapel Art Gallery in London.
His work is also found in the National Art Gallery of Canada,
the Art Gallery of Ontario, the University of Saskatchewan's
gallery and the Singapore National Museum among many others and
were included in 77 exhibitions in seven countries. As well,
he completed 16 commissions in three countries.
Largely self-taught, Mr.
DOWNING, a one-time police officer,
burst onto the scene during the late '60s with his Cube Series
in aluminum and Plexiglass. A highly intellectual artist, who
often explored sophisticated mathematical concepts in his work,
he created 108 cube-related sculptures for the series. Seventy-four
appeared in the Whitechapel show and the British Arts Council
purchased one, The Cube Turned Inside Out Revealing the Relationship
of the Sphere.
Mr. DOWNING's work remained centred on geometric shapes throughout
his career. "I am one of those people who views geometry as a
divine expression of integration between the physical and the
spiritual," he wrote in a brochure. He attributed his interest
in organic geometry to the works of sculptors Eli Bornstein and
Tony Smith, and the Art and Technology Movement.
Despite his intellectual bent, spirituality figured large in
Mr. DOWNING's art and provided his inspiration to pursue it.
When he was a Hamilton policeman, he was relaxing after a shift.
"I suddenly became conscious of the warm glow of a transparent
rose-coloured light completely surrounding me," he wrote in his
memoirs, Feeling My Way.
"I was still aware of my body, but I felt myself to be extended
into and penetrated by this light, which simultaneously caused
me to feel radiant pulsations of pure love. It was as though
I, somehow, had transcended the physical plane and, for a brief
moment of time, experienced a cosmic level of infinite bliss."
Thereafter, Mr.
DOWNING felt a new sensitivity to life and found
himself in an almost trance-like state when observing the world
around him. He left the police force -- and his family -- to
become an artist. He maintained, "I've been given to make art
in celebration of life as a humble song of praise to the Divine
Creator of All."
Mr. DOWNING was born on August 1, 1935, in Hamilton, one of two
children of a Canadian Westinghouse labourer and a housekeeper.
When he was young, the family lived in a tent while waiting for
housing.
In early adolescence, bedridden with a bout of rheumatic fever,
Mr. DOWNING discovered that he enjoyed working with his hands
by threading macaroni and constructing lilac-shell pictures.
Leaving school at 15 with a Grade 8 education, Mr.
DOWNING delivered
telegrams before joining the Canadian navy for five years. There
he worked in food stores and as a photographer. After the service,
Mr. DOWNING joined the Hamilton Police Force.
Early in his art career, Mr.
DOWNING became discouraged by his
attempts to sell his work in Toronto. He hit the road, travelling
to Montreal and then to Vancouver, where he sold his first sculpture
in 1962.
Still seeking a direction, he moved with his second wife to California,
where they ran an antique shop. Mr.
DOWNING experimented with
d-Lysergic Acid Diethylamide and yoga, and participated in a
couple of shows.
Returning to Toronto, Mr.
DOWNING approached Mr.
BIELER, who
taught at the University of Toronto, for instruction. With Mr.
BIELER's encouragement, he began his exploration of the cube.
"He used whatever was available to dig into this and then came
up with some quite interesting stuff," said Mr.
BIELER, now a
professor at York University in Toronto.
Selling his house to pay for shipping his sculpture to Whitechapel
Art
Gallery,
Mr.
DOWNING ended up after the show emotionally
and financially exhausted. To recover, he spent a year studying
the sitar.
After the bubble of government funding for art during Canada's
centennial period burst, Mr.
DOWNING and other Canadian artists
found themselves short of work and money.
"By the end of 1972, my commissions and sales of art had completely
evaporated," he wrote in a preamble to his Fibonacci Series.
The only job he could find was teaching at an Ontario private
school.
Throughout his career, Mr.
DOWNING taught at several institutions,
including U of T, the Ontario College of Art and the Banff School
of Fine Art, all the while living a hand-to-mouth existence.
Still, despite a lack of money and critical attention, he created
prolifically, in series that often overlapped, carefully recording
his creative process and organizing his works.
During the '70s, influenced by Mr. Bornstein's work, Asian philosophy,
crystals and numerology, he explored the hexagon, producing a
trial printing set for children and his I'Ching Series, a notebook
in which he placed a diary-like record beside a tangram (a Chinese
puzzle consisting of five triangles, a square and a rhomboid)
based on a computer printout.
While in hospital in 1974 with a heart attack, Mr.
DOWNING worked
with construction paper and scissors and formed a three-dimensional
shape that led to the Fibonacci Series, also called the Nothing
Series. The 24 solid-steel castings and eight metal powder and
fibreglass life-sized sculptures reflect a system Mr.
DOWNING
said he discovered, of combining squares, equilateral triangles
and pentagons. Some of the works' proportions contained the Fibonacci
ratio. (In the Fibonacci sequence -- 1, 1, 2, 3, 5, 8 etc. --
each successive number is equal to the sum of the preceding two
numbers.)
When discharged from the hospital, Mr.
DOWNING was unable to
pay his mortgage. He sold the house and moved with his third
wife and family to California, where he lived from 1974 to 1978.
He taught at California State College in Long Beach and continued
with the Fibonacci Series.
Entering the '80s, Mr.
DOWNING turned to conceptual/performance
art. In conceptual art, the works themselves are not considered
important, but are intended to examine the language and system
of art. Performance art presents actual events as art to a live
audience, as opposed to the illusions of events presented by
theatre.
For the series Art Isn't? Mr.
DOWNING used a Canada Council grant
to solicit work from the presidents of Canada's top 500 companies.
Asked by the council to reimburse the money because he had not
used it to create art, Mr.
DOWNING agreed to send a monthly cheque
for 10 per cent of his income. The amount came to $2.
The Canada Council responded with a request for a bigger cheque
and Mr. DOWNING complied. Using a photocopier, he enlarged a
$2 cheque and sent it off.
"He was desperately honest and he would not put up with bullshit
at all," sculptor and artist Gord
SMITH said. "He stayed on top
of the Canada Council.... He believed passionately in the culture
and knew it was going down."
Also during the '80s, Mr.
DOWNING produced many Documeditation
works, which included Transentials in Space, the work he said
in 1992 was the most significant of his life. Describing it as
a visual literacy program, he spent two years developing the
three-volume work.
Always an outspoken advocate for his calling, Mr.
DOWNING helped
to found Canadian Artists Representatives in 1967. Driven, brilliant,
often difficult and prickly, he was frustrated by his inability
to qualify for grants from the Ontario government. He lacked
the formal training the government required and went to the offices
of the Minister of Culture and Citizenship to state his case.
Screaming, "
This isn't art?" Mr.
DOWNING hurled his portfolio
to the ground. The minister's office called the police.
Mr. DOWNING described his Closet Art, from 1984 to 1987, as "an
installation piece which outgrew the confines of two large storage
closets and raised the question of how practical it was for a
senior artist to continue playing the role of an unpaid custodian
of earlier work that had long proven itself to qualify as legitimate
cultural property."
He donated the works to the Art Gallery of Hamilton, counting
the 250-page record of his negotiations with the gallery as a
Documeditation. "Coming back to these [donated] works again and
again one is reminded of the expansive scope of Mr.
DOWNING's
thinking, of the evolving nature of his practice," said the gallery's
chief curator, Shirley
MADILL.
Mr. DOWNING left Canada once again to make a living in the late
'80s, working and teaching in Botswana and Singapore. Returning
because of ill health, he spent his last years largely confined
to his apartment. He found a creative outlet, producing computer-generated
images, once again exploring geometric forms. In 1998, as artist-in-residence
at the U of T, he developed a Web site containing a retrospective
of his work.
Always outspoken, a quality that alienated many, in the spring
of 2002, he published an Internet manifesto announcing his resignation
as a practising Canadian artist. In it, he chastized business,
government, galleries and academia for not supporting artists
in general and him in particular.
At his death on July 22, Mr.
DOWNING had not sold his work in
Canada for the past 15 years. Still he continued to promote it,
even receiving a posthumous rejection.
"Robert's first love was his art, and his life was his art, and
that's the beginning and end of it," said his fourth wife, Mickey
DOWNING.
Mr. DOWNING leaves his wife, Mickey, two ex-wives, children Michael
DOWNING and Sara
ROBINSON, and three grandchildren.
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MADORE o@ca.on.york_county.toronto.globe_and_mail 2003-04-15 published
ANSLEY,
John
A.
Of Peterborough, Ontario, died peacefully, on Saturday, April
12, 2003, at the age of 61 years. He leaves his beloved wife
of 34 years Gail (née
MADORE) and their son James.
son of Mrs.
Grace PETERSON (née
McINTOSH) of Ottawa and the late Dr. Harold
ANSLEY of Ottawa and Barrie, and his late stepfather Ted
PETERSON.
Also surviving are his sister Ms. Sherrill
ANSLEY
(Jim,)
William
ANSLEY of Ottawa, cousins Susan and Kenneth
BURNETT of W. Vancouver,
Sandy and Peter
QUINN of Roberts Creek, British Columbia, and
John and Cordelia
McINTOSH of Victoria, British Columbia, and
their families. John graduated from Ashbury College in Ottawa
and attended Carleton University before becoming advertising,
sales and marketing manager in the window and door industry.
For many years he was active in community volunteer work with
a special interest in boating. His family wishes to thank Dr.
Stephan RAGAZ of Peterborough, Dr. Bryce
TAILOR/TAYLOR of Toronto General
Hospital and the loving nurses at the Palliative Care Unit in
Peterborough.
Friends will be received on Wednesday, April 16th, 2003 from
2 to 4 and 7 to 9 p.m. at the Highland Park Visitation and Reception
Centre on Bensfort Road at River Road South, Peterborough, 705-745-6984
or 1-800-672-9652. There will be a Funeral Service at the same
location on Thursday, April 17th at 2 p.m. followed by a reception.
In lieu of flowers, donations to the Palliative Care Unit Peterborough
Regional Health Centre would be appreciated. John will be missed
by his family and Friends who respected him for his integrity,
positive attitude and his humour.
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MADRAS o@ca.on.york_county.toronto.globe_and_mail 2003-07-23 published
WIESMAN,
Brahm
Died peacefully and with dignity July 20, 2003. He leaves his
wife Madge, brother-in-law Alan
BERNSTEIN of Montreal, nephew
Robert and his wife
Judy of Ottawa, niece Janet
MENDELSON and
her husband Stephen and their family of Nepean, Ontario, nephew
Mark MADRAS and his wife
Eva of Toronto, niece Karen
MADRAS-
STOPA
and her husband Ed and family of East Greenwich, Rhode Island,
brother-in-law David
McCULLOCH and his wife
Janet of Glasgow,
Scotland, brother-in-law George
McCULLOCH and his wife
Ina and
family of Glasgow, niece Helen
FARMER and her husband Stewart
and family of Glasgow, and nephew Gordon
McCULLOCK and his wife
Linda and family of Glossop, England. Born on June 13, 1926,
Brahm lived his rich life with the greatest consideration and
care for others. He studied architecture and community planning
at McGill University in preparation for what was to become a
distinguished career in the field of city planning. After taking
on senior management positions in the Cities of Edmonton, Victoria,
and Vancouver, he was asked to join the faculty of University
of British Columbia's School of Community and Regional Planning
in 1967. He went on to serve as Director of the School for 12
years. In that position, he was much loved as a colleague and
teacher, and provided internationally admired leadership to the
planning profession. In retirement, Brahm continued to actively
promote good planning by advising universities in Asia on planning
curricula, consulting to cities in China, and speaking out forcefully
as a citizen on Vancouver area issues. A service will be held,
11 a.m. on Wednesday, July 23, at Schara Tzedeck Cemetery in
New Westminster, 2345 Marine Drive. In lieu of flowers, donations
may be sent to ''Prostate Cancer Research at Vancouver General
Hospital'', Vancouver General Hospital and University of British
Columbia Hospitals Foundation, 855 West 12th Avenue, Vancouver,
V5Z 1M9.
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MADRID o@ca.on.york_county.toronto.globe_and_mail 2003-04-12 published
APPLEBY,
Sarah
Love is not changed by death. Died peacefully at her home on
April 10, 2003 in her 81st year after a valiant battle with cancer.
Cherished wife for 54 years to the late Harry
APPLEBY. Dear mother
to Laurence and Lynda
WENGER and mother-in-law to Marvin
WENGER.
Devoted and greatly loved grandmother to Meredith
WENGER.
Caring
daughter to the late Isadore and Yetta
GRYMEK. Survived by her
brothers Lou and Sam
GRYMEK and her sisters Ann
COMASSAR and
Shirley KREM. A wonderful mother has gone, leaving her children
to remember her strong presence, graciousness and courage. For
the love and happiness we shared we are truly thankful. The family
acknowledges with thanks, the efforts of Dr. Joan
MURPHY, the
other doctors, nurses and support staff of the Princess Margaret
Hospital.
Also the caring attention of Dr. Russell
GOLDMAN and
Teresita MADRID. At
Benjamin's
Park
Memorial Chapel, 2401 Steeles
Avenue West (1 light west of Dufferin) for service on Sunday,
April 13th at 3: 00 p.m. Interment Beth Tzedec Memorial Park.
Shiva at 342 Spadina Road, Suite 303, Toronto, concluding Tuesday
evening April 15. If desired, memorial donations may be made
to the Princess Margaret Foundation, 610 University Avenue, Toronto
M5G 2M9 (416) 946-6560.
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