LEA o@ca.on.york_county.toronto.globe_and_mail 2003-03-04 published
LEA,
John
E.
At his home on Wednesday, February 27, 2003. John
LEA of Marmora
in his 89th year. Husband of the late Kathleen
LEA.
Father of
Phyllis TYRIE and her husband Brian, Markham; Nora
ADAM/ADAMS and
her husband Bruce, Sharon and John H.
LEA,
Toronto.
Grandfather
of Debbie and Jeff; Ron and Ursula, Troy and Stephanie, Scott,
Donna, Michelle. Great grandfather of four. Will be sadly missed
by Linda and many loved Friends. A memorial service will be held
at St. Paul's Anglican Church, Marmora on Saturday, June 14,
2003, at 11 a.m. followed by interment in Stirling Cemetery.
Donations St. Paul's Anglican Church, Marmora would be appreciated.
Arrangements by McConnell Funeral Home, Marmora (613) 472-2531.
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LEADBEATER o@ca.on.york_county.toronto.globe_and_mail 2003-04-23 published
Rolf O. KROGER, Ph.D. Professor Emeritus of Psychology University
of Toronto
Rolf died, as he lived, with grace, courage, humour and dignity,
at home on April 18th, 2003, of advanced prostate cancer. He
was the devoted and beloved husband of Linda
WOOD. He was the
cherished son of Erna
KROGER and son-in-law of Adele
WOOD; loving
brother of Harold and Jurgen
KROGER; dear brother-in-law of Wilma
KROGER,
Edelgard
DEDO, Lorraine
WOOD, Robert and Deborah
WOOD,
and Reg WOOD; much loved uncle of Andrew
KROGER and Stephen
KROGER,
Christina and Linda
JUHASZ-
WOOD, Taylor, Genna and Devon
WOOD,
Jonathan and Nicole
WOOD,
Phillippe
NOEL, and Jose and David
TILLETT, and nephew of Liesl
WINTER,
Otto
WINTER and Alf and
Sue MODJESKI.
Rolf was born in Hamburg, Germany, on September
28th, 1931. He emigrated to Canada in 1952, and completed a B.A.
in psychology at Sir George Williams College (now Concordia University)
in 1957. Following his M.A. (1959) at Columbia University, New
York, he received his Ph.D. in psychology from the University
of California at Berkeley in 1963. His advisor, Prof. Theodore
R. SARBIN
(Prof.
Emeritus,
University of California, Santa Cruz,)
has continued to be a valued colleague and dear friend, together
with Rolf's fellow graduate student, Prof. Karl E.
SCHEIBE of
Wesleyan University and Karl's wife Wendy. Rolf joined the Department
of Psychology at the University of Toronto in 1964 and continued
his research and writing in social psychology after retiring
in 1996. Rolf's work addressed a variety of topics concerning
the individual in the social system. His articles and papers
on the social psychology of test-taking, hypnosis, history, epistemology,
methodology and the discipline of social psychology all reflected
his dissatisfaction with the status quo combined with proposals
for new directions. For more than 20 years he has worked with
Linda A. WOOD
(University of Guelph) on topics in language and
social psychology (e.g., terms of address and politeness), and
most recently on a book on discourse analysis. At the time of
his death, he was working on a discursive critique of the 'Big
Five' personality theory enterprise and on stories of his experiences
growing up in Germany during the Second World War. Rolf also
took great pleasure in teaching and greatly valued the opportunity
to work for almost forty years with so many talented and enthusiastic
students, both undergraduate and graduate. Rolf was privileged
to have many long-lasting Friendships, and he was grateful for
the encouragement, help and comfort given by so many, especially
Bogna ANDERSSON,
Eva and Fred
BILD, Clare
MacMARTIN and Bill
MacKENZIE, Frances
NEWMAN and Fred
WEINSTEIN, Jesse
NISHIHATA,
Anne and Michael
PETERS,
Andrew and Judi
WINSTON and Lorraine
WOOD. We have also been sustained by the kindness of our neighbours
on Walmer Road. We express our particular thanks and appreciation
to family physician and friend, Dr. Christine
LIPTAY.
Our thanks
go also to the staff of Princess Margaret Hospital, to the physicians
and nurses of the Hospice Palliative Care Network Project, especially
Dr. Russell
GOLDMAN and nurses Francine
BOHN,
Joan
DYKE, Dwyla
HAMILTON, Lynda
McKEE and Ella
VAN
HERREWEGHE, and to the nurses
of St. Elizabeth, especially Liz
LEADBEATER,
Sylvia
McCALLUM
and Cecilia
McPARLAND.
Cremation was private. There will be an
Open House for remembrance and celebration on Sunday, April 27th
(3-7 p.m.), Monday, April 28th (4-8 p.m.) and Tuesday, April
29th (4-8 p.m.) at 98 Walmer Road, Toronto, Ontario M5R 2X7.
Please direct any queries to Frances
NEWMAN (416-351-0755.) In
lieu of flowers, donations to Temmy Latner Centre for Palliative
Care (700 University Avenue, Third Floor, Toronto, Ontario M5G
1Z5) or Amnesty International would be appreciated.
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LEAR o@ca.on.york_county.toronto.globe_and_mail 2003-04-12 published
'He kept a little flame of geometry alive'
Superstar University of Toronto mathematician considered himself
an artist, but his seminal work inevitably found practical applications
By Siobhan
ROBERTS
Saturday,
April 12, 2003 - Page F11
Widely considered the greatest classical geometer of his time
and the man who saved his discipline from near extinction, Harold
Scott MacDonald
COXETER, who died on March 31 at 96, said of
himself, with characteristic modesty, "I am like any other artist.
It just so happens that what fills my mind is shapes and numbers."
Prof. COXETER's work focused on hyperdimensional shapes, specifically
the symmetry of regular figures and polytopes. Polytopes are
geometric shapes of any number of dimensions that cannot be constructed
in the real world and can be visualized only when the eye of
the beholder possesses the necessary insight; they are most often
described mathematically and sometimes can be represented with
hypnotically intricate fine-line drawings.
"I like things that can be seen," Prof.
COXETER once remarked.
"You have to imagine a different world where these queer things
have some kind of shape."
Known as Donald (shortened from MacDonald,) Prof.
COXETER had
such a passion for his work and unrivalled elegance in constructing
and writing proofs that he motivated countless mathematicians
to pick up the antiquated discipline of geometry long after it
had been deemed passé.
John Horton
CONWAY, the Von Neumann professor of mathematics
at Princeton University, never studied under Prof.
COXETER, but
he considers himself an honorary student because of the
COXETERian
nature of his work.
"With math, what you're doing is trying to prove something and
that can get very complicated and ugly.
COXETER always manages
to do it clearly and concisely," Prof.
CONWAY said. "He kept
a little flame of geometry alive by doing such beautiful works
himself.
"I'm reminded of a quotation from Walter Pater's book The Renaissance.
He was describing art and poetry, but he talks of a small, gem-like
flame: 'To burn always with this hard, gem-like flame, to maintain
this ecstasy, is success in life.' "
Prof. COXETER's oeuvre included more than 250 papers and 12 books.
His Introduction to Geometry, published in 1961, is now considered
a classic -- it is still in print and this year is back on the
curriculum at McGill University. His Regular Polytopes is considered
by some as the modern-day addendum to Euclid's Elements. In 1957,
he published Generators and Relations for Discrete Groups, written
jointly with his PhD student and lifelong friend Willy
MOSER.
It is currently in its seventh edition.
Prof. COXETER's self-image as an artist was validated by his
Friendship with and influence on Dutch artist M. C.
ESCHER, who,
when working on his Circle Limit 3 drawings, used to say, "I'm
Coxetering today."
They met at the International Mathematical Congress in Amsterdam
in 1954 and then corresponded about their mutual interest in
repeating patterns and representations of infinity. In a letter
to his son, Mr.
ESCHER noted that a diagram sent to him by Prof.
COXETER that inspired his Circle Limit 3 prints "gave me quite
a shock."
He added that "
COXETER's hocus-pocus text is no use to me at
all.... I understand nothing, absolutely nothing of it."
While Mr. ESCHER claimed total ignorance of math, Prof.
COXETER
wrote numerous papers on the Dutchman's "intuitive geometry."
Though Prof.
COXETER did geometry for its own sake, his work
inevitably found practical application. Buckminster
FULLER encountered
his work in the construction of his geodesic domes. He later
dedicated a book to Prof.
COXETER: "By virtue of his extraordinary
life's work in mathematics, Prof.
COXETER is the geometer of
our bestirring twentieth century. [He is] the spontaneously acclaimed
terrestrial curator of the historical inventory of the science
of pattern analysis."
Prof. COXETER's work with icosohedral symmetries served as a
template of sorts in the Nobel Prize-winning discovery of the
Carbon 60 molecule. It has also proved relevant to other specialized
areas of science such as telecommunications, data mining, topology
and quasi-crystals.
In 1968, Prof.
COXETER added to his list of converts an anonymous
society of French mathematicians, the Bourbakis, who actively
and internationally sought to eradicate classical geometry from
the curriculum of math education.
"Death to Triangles, Down with Euclid!" was the Bourbaki war
cry. Prof.
COXETER's rebuttal: "Everyone is entitled to their
opinion. But the Bourbakis were sadly mistaken."
One member of the society, Pierre
CARTIER, met Prof.
COXETER
in Montreal and became enamoured of his work. Soon, he had persuaded
his fellow Bourbakis to include Prof.
COXETER's approach in their
annual publication. "An entire volume of Bourbaki was thoroughly
inspired by the work of
COXETER," said Prof.
CARTIER, a professor
at Denis Diderot University in Paris.
In the 1968 volume, Prof.
COXETER's name was writ large into
the lexicon of mathematics with the inauguration of the terms
"COXETER number," "
COXETER group" and
"COXETER graph."
These concepts describe symmetrical properties of shapes in multiple
dimensions and helped to bridge the old-fashioned classical geometry
with the more au courant and applied algebraic side of the discipline.
These concepts continue to pervade geometrical discourse, several
decades after being discovered by Prof.
COXETER.
Prof. COXETER became a serious mathematician at the relatively
late age of 14, though family folklore has it that, as a toddler,
he liked to stare at the columns of numbers in the financial
pages of his father's newspaper.
He was born into a Quaker family in Kensington, just west of
London, on February 9, 1907. His mother, Lucy
GEE, was a landscape
artist and portrait painter, and his father, Harold, was a manufacturer
of surgical instruments, though his great love was sculpting.
They had originally named their son MacDonald Scott
COXETER,
but a godparent suggested that the boy's father's name should
be added at the front. Another relative then pointed out that
H.M.S. COXETER made him sound like a ship of the royal fleet
so the names were switched around.
When Prof.
COXETER was 12, he created his own language -- "Amellaibian"
a cross between Latin and French, and filled a 126-page notebook
with information on the imaginary world where it was spoken.
But more than anything he fancied himself a composer, writing
several piano concertos, a string quartet and a fugue. His mother
took her son and his musical compositions to Gustav
HOLST.
His
advice: "Educate him first."
He was then sent to boarding school, where he met John Flinders
PETRIE, son of Egyptologist Sir Flinders
PETRIE.
The two were
passing time at the infirmary contemplating why there were only
five Platonic solids -- the cube, tetrahedron, octahedron, dodecahedron
and icosahedron. They then began visualizing what these shapes
might look like in the fourth dimension. At the age of 15, Prof.
COXETER won a school prize for an English essay on how to project
these geometric shapes into higher dimensions -- he called it
"Dimensional Analogy."
Prof. COXETER's father took his son along with his essay to meet
friend and fellow pacifist Bertrand
RUSSELL.
Mr.
RUSSELL recommended
Prof. COXETER to mathematician E.H.
NEVILLE, a scout, of sorts,
for mathematics prodigies. He was impressed by Prof.
COXETER's
work but appalled by some inexcusable gaps in his mathematical
knowledge. Prof.
NEVILLE arranged for private tutelage in pursuit
of a scholarship at Cambridge. During this period, Prof.
COXETER
was forbidden from thinking in the fourth dimension, except on
Sundays.
He entered Trinity College, Cambridge, in 1926 and was among
five students handpicked by Ludwig
WITTGENSTEIN for his philosophy
of mathematics class. During his first year at Cambridge, at
the age of 19, he discovered a new regular polyhedron that had
six hexagonal faces at each vertex.
After graduating with first-class honours in 1929, he received
his doctorate under H. F.
BAKER in 1931, winning the coveted
Smith's Prize for his thesis.
Prof. COXETER did fellowship stints back and forth between Princeton
and Cambridge for the next few years, focusing on the mathematics
of kaleidoscopes -- he had mirrors specially cut and hinged together
and carried them in velvet pouches sewn by his mother. By 1933,
he had enumerated the n-dimensional kaleidoscopes -- that is,
kaleidoscopes operating up to any number of dimensions.
The concepts that became known as
COXETER groups are the complex
algebraic equations he developed to express how many images may
be seen of any object in a kaleidoscope (he once used a paper
triangle with the word "nonsense" printed on it to track reflections).
In 1936, Prof.
COXETER was offered an assistant professorship
at the University of Toronto. He made the move shortly after
the sudden death of his father and following his marriage to
Rien BROUWER.
She was from the Netherlnds and he met her while
she was on holiday in London.
As a professor, Prof.
COXETER was known to flout set curriculum.
Ed BARBEAU, now a professor at the U of T, recalled that at the
start of his classes, Prof.
COXETER would spread out a manuscript
on the desks at the front of the room. During his lecture, he
would often pause for minutes at a time to make notes when a
student offered something that might be relevant to his work
in progress. When the work was later published, students were
pleasantly surprised to find that their suggestions had been
duly credited.
Prof. COXETER was also known to show up to class carrying a pineapple,
or a giant sunflower from his garden, demonstrating the existence
of geometric principles in nature. And he was notorious for leaping
over details, expecting students to fill in the rest.
The Canadian Broadcasting Corporation's resident intellectual, Lister
SINCLAIR, was one of
Prof. COXETER's earliest students. He once recounted that Prof.
COXETER would "write an expression on the board and you could
see it talking to him. It was like Michelangelo walking around
a block of marble and seeing what's in there."
Asia Ivic WEISS, a professor at York University, Prof.
COXETER's
last PhD student and the only woman so honoured, describes an
incident that perfectly exemplifies Prof.
COXETER's math myopia.
Going into labour with her first child, she called him to cancel
their weekly meeting. Prof.
COXETER, who never acknowledged her
pregnancy, said not to worry, he would send over a stack of research
to keep her busy when she got home from the hospital.
Despite several offers from other universities, Prof.
COXETER
stayed at University of Toronto throughout his career.
Like his father, he was a pacifist. In 1997, he was among those
who marched a petition to the university president's office to
protest against an honorary degree being conferred on George
BUSH Sr. Prof.
COXETER recalled with disdain Robert
PRITCHARD's
telling him, "Donald, I have more important things to worry about."
After his official retirement in 1977, Prof.
COXETER continued
as a professor emeritus, making weekly visits to his office.
These subsided only in the past several months. On the weekend
before his death, he finished revisions on his final paper, which
he had delivered the previous summer in Budapest.
In his last five years, he survived a heart attack, a broken
hip (he sprung himself from the hospital early to drive to a
geometry conference in Wisconsin) and, most recently, prostate
cancer.
Considering his 96 years of vegetarianism and a strict exercise
regime, he felt betrayed by his body. "I feel like the man of
Thermopylae who doesn't do anything properly," he commented
recently after an awkward evening out, quoting nonsense poet
Edward LEAR.
Prof. COXETER died in his home, with three long last breaths,
just before bed on the last day of March.
His brain is now undergoing study at McMaster University, along
with that of Albert
EINSTEIN.
Neuroscientist
Sandra
WITELSON
is tryng to determine whether his brain's extraordinary capacities
are associated with its structure.
Prof. COXETER met with her at the beginning of March and learned
that the atypical elements of Einstein's brain, compared with
an average brain, were symmetrical on both right and left sides.
Prof. WITELSON said she wondered whether there might be similar
findings with Prof.
COXETER's brain. "Isn't that nice," he said.
"I suppose that would indicate all my interest in symmetry was
well founded."
Prof. COXETER leaves his daughter Susan and son Edgar. His wife
died in 1999.
Siobhan ROBERTS is a Toronto writer whose biography of Donald
COXETER will be published by Penguin in 2005.
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LEAR o@ca.on.york_county.toronto.globe_and_mail 2003-05-21 published
A character in life and work
Toronto-born actor played supporting roles in hundreds of films
and television shows, including the cult-hit sitcom Mary Hartman
By Bill GLADSTONE
Special to The Globe and Mail Wednesday, May
21, 2003 - Page R5
As a genial, six-foot, balding performer who wore a trademark
mustache and glasses, Graham
JARVIS was not the leading-man type.
The Toronto-born actor from a privileged background, who died
last month in California at 72, courted but never achieved stardom
and instead gained a kind of small-roles fame by appearing in
hundreds of supporting parts in film and television productions.
Mr. JARVIS took character parts in films as diverse as Alice's
Restaurant, Cold Turkey, Middle Age Crazy, Silkwood and Misery,
and a similar assortment of television shows including Star Trek,
ER, Murder She Wrote, Gunsmoke, The X-Files and Six Feet Under.
His first role was as an understudy in a mid-1950s Broadway production
of Tennessee Williams's Orpheus Descending, and his last was
as the grandfather in an episode of the television series Seventh
Heaven, which aired four days after his death in April.
He is perhaps best known for his portrayal of Charlie Haggers,
the devoted husband of a country singer in the 1970s television
sitcom Mary Hartman, Mary Hartman. "Nobody outside the business
knows my name, but it doesn't bother me," he told an interviewer
in 1982. "Fans still know me as Charlie, years after we went
off the air. Fans went nuts over that character for some reason
and I love the guy myself."
A scion of the historic Toronto family for whom
JARVIS
Street
is named, Graham Powely
JARVIS was also the grand_son of John
LABATT
Jr., who built up the famous Labatt brewery. A strain
of theatrical talent obviously runs in the Labatt blood: His
cousins include two legendary theatre personalities -- nonagenarian
actor Hume
CRONYN and Broadway producer Robert
WHITEHEAD, who
died last year.
It was Mr.
WHITEHEAD who helped Mr.
JARVIS attain the gig in
Orpheus Descending and an audition at the Barter Theatre in Abbingdon,
Va., where he trained for three seasons. Mr.
CRONYN also helped
him land a Broadway role, Mr.
JARVIS said in 1982, adding that
he rarely liked to mention the celebrated theatrical connections
within his own family.
"This is the first time I've let this information out because
I've tried not to trade on it," he said. "But I guess I've been
around long enough now not to worry about it."
His father, an investment banker who was instrumental in founding
what is today known as Scotia McLeod and was later president
of Labatt, moved the family to New York when Graham was 5. He
was sent to Bishop Ridley College, a prep school in St. Catharines,
Ontario, and later to Williams College in Williamstown, Massachusetts.
A confused dropout at 23, he found work on the midnight shift
in a penny arcade on 42nd Street in Manhattan. Then a friend
invited him to watch an off-Broadway troupe in rehearsal and
a light went on in his head. "I can do that!" he told himself,
and he never looked back.
"Graham was such a great character actor because he could just
go into character," said his niece, Sandra
JARVIS of Toronto.
"He was just brilliant that way. You'd be having a conversation
with him and he'd just don a role, and it would take you a second
to realize that Graham was now acting. Anyone who knew him well
could just see this glow in his eyes -- this glint that told
you he knew he was having fun with you."
"He loved acting," said his friend, actor Wil
ALBERT. "
When
he was acting he was like a little boy going to the candy store."
Mr. JARVIS was a graduate of the American Theatre Wing acting
school as well as of the Barter Theatre. He was an original member
of the Lincoln Center Repertory Theater and a veteran of many
Broadway and off-Broadway productions.
His first film role (in Bye Bye Braverman, 1968) enticed him
to move to Hollywood, and he soon landed the part of the narrator
in the stage production of The Rocky Horror Show at the Roxy
Theatre on Sunset Boulevard.
Television producer Norman
LEAR spotted him there and eventually
recommended him for Mary Hartman, Mary Hartman. Mr.
JARVIS also
appeared in the show's sequel, Forever Fernwood. Another memorable
role was of John Erlichman in Blind Ambition, a well-received
1979 television miniseries about the Watergate political scandal.
Relishing the idea of free airfare to Toronto where he had family
and Friends, Mr.
JARVIS took occasional work from the Canadian
Broadcasting Corporation. Former Canadian Broadcasting Corporation
producer Ross
McLEAN once told of auditioning him as a talk-show
host, but felt his bald dome would need to be covered. Mr.
JARVIS
owned a hairpiece but had left it in California.
"Makeup pulled 20-odd rugs out of storage," Mr.
McLEAN wrote.
"Everything he tried on looked absurdly out of place." Ultimately,
Mr. JARVIS arranged for his L.A. agent to go to his house, find
the hairpiece and rush it to Toronto.
"The rug made it on time," Mr.
McLEAN noted, adding that "I
have rarely seen a less convincing thatch of regrouped Hong Kong
hair." In short, Graham
JARVIS looked best -- and did the Canadian
Broadcasting Corporation audition -- as himself.
In a 1980s television series called Making the Grade, Mr.
JARVIS
played a buck-passing inner-city high-school principal who didn't
care that a student couldn't read. In real life, however, he
worked as a volunteer to teach literacy skills to young offenders.
"It was really fascinating to hear him talk about it," said
his wife, JoAnna. "He felt they couldn't read because they couldn't
speak -- they were speaking a street patois. He went back to
college to get his teaching certificate so he could do this on
a regular basis." Active in civic politics, he pushed for handgun
control and helped voters get to the polls on election day. He
also sang in his church choir and worked in its Sunday school.
"I think the consensus among almost everyone who knew Graham
is that he was a very warm, enjoyable man," said actor Jerry
HARDIN, a friend for almost 50 years.
"You came away feeling he was a good human being if you had any
contact with him. He was very empathetic. He had compassion for
people's difficulties and problems, and he would help them if
he could."
Friends and family also recall his storytelling skills and his
joy at giving visitors detailed historic tours of New York and
later Hollywood. By all accounts, he was a humble man.
"He didn't think he was nearly as successful as he was," said
Barbara WARREN, a niece. "He was always extremely surprised and
delighted when people would stop him on the street and ask him
for his autograph.
"He loved to deliver the lines and get the shock on your face,"
Ms. WARREN said. "You never saw him poise himself, he just
walked right in as if he was that person."
Mr. JARVIS died at his home in the Pacific Palisades area of
Los Angeles on April 16. Besides his wife, JoAnna, he leaves
sons Matthew and Alex in California and sister Kitty Blair in
Toronto.
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LEARMONTH o@ca.on.york_county.toronto.globe_and_mail 2003-04-30 published
Laurie BENNETT (née
McDERMOTT)
It is with great sadness that we announce the passing of Laurie
BENNETT (née
McDERMOTT) on Monday, April 28, 2003. Laurie, who
was a loving and dedicated mother and grandmother, died at home
with her family. As a professional, she was the Founder and a
former Executive Director of Hospice of Peel. Laurie spent the
last twenty-five years of her career dedicating her life to helping
those around her and to developing and promoting the invaluable
hospice services in Mississauga as well as in Ontario and across
Canada. Starting in 1977, she was instrumental in starting the
palliative care service at Mississauga Hospital (now Trillium
Health Care Centre). In 1985, when the government and hospitals
began to limit services to the terminally ill, Laurie and a few
colleagues started an organization that could serve all terminally
ill patients in the community - the Hospice of Peel. Laurie was
loving mother to Lynne, Bruce and his wife
Susan
BLACK,
Brenda
and her husband Bob
LEARMONTH; proud grandmother of Shannon,
Cody, Tyler, Myles, Carolann, Christine and Jamie; dear sister
to Ted and Gary
McDERMOTT; and loving aunt to Sean, Michele,
Kevin and his wife Jessica (both who went out of their way to
help the family during Laurie's last few months), Steve, Jackie
and Scott and dear friend to too many to mention. Laurie is predeceased
by her brother Jack (affectionately known as the 'Great J.B.').
She was loved by all who were close to her and will be tremendously
missed. Friends may call at the Turner and Porter 'Peel' Chapel,
2180 Hurontario Street, Mississauga (Hwy. 10North of Queen Elizabeth
Way) from 2-4 and 7-9 p.m. Thursday. Funeral Service will be
held in the chapel on Friday, May 2, 2003 at 11 o'clock. Private
family interment Saint John's Dixie Cemetery. For those who wish,
it is Laurie's and the family's request that any donations be
made to Hospice of Peel, 855 Matheson Blvd. East, Unit #1, Mississauga,
Ontario L4W 4L6
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