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"DOW" 2003 Obituary


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DOW o@ca.on.york_county.toronto.globe_and_mail 2003-10-15 published
Marguerite Ruth DOW
By Betsy CLARKE, Wednesday, October 15, 2003 - Page A22
Teacher, professor, author, daughter, sister, Christian. Born June 13, 1926, in Ottawa. Died May 13 in Ottawa, aged 76.
Marguerite DOW was a gentle, gracious, caring lady who was generous with her time and resources and who always had a happy smile. She was a teacher by profession, a loving sister to her family and a devout member of St. Matthew's Anglican Church in Ottawa.
I first met Marguerite when I began teaching English at Laurentian High School. As our department head, she was meticulous in everything she did; no document, exam or set of marks escaped her keen oversight. But she was an excellent mentor and adviser, always ready to help fledging and largely untrained new staff members in our struggle to get through the first weeks of our career.
In 1965, she become the first female professor in the faculty of education at the University of Western Ontario. It must have been a very difficult decision for her to leave Ottawa as she, her identical twin Helen, her sister and brother-in-law Dorothy and Michael WALSH, and their parents shared a home with three apartments in the Glebe, an Ottawa neighbourhood.
Marguerite flourished as a professor and an author. She retired from Althouse College in 1985 and returned to Ottawa. She began attending St. Matthew's Church, even though she had been raised a Baptist and, in 1988, she was confirmed into the Anglican faith. She loved St. Matthew's, especially the music.
Her twin sister, Helen, had also retired from her teaching position at the University of Guelph so the two sisters once again shared a home. Helen soon became ill with a "degenerative illness," but she remained at home under Marguerite's care. After Helen moved to a palliative-care facility, her twin visited every day.
Soon sister Dorothy's health deteriorated and when dementia meant that her husband, Michael, and Marguerite could no longer care for her, she was moved to a long-term care facility. Marguerite began the daily routine of taking Michael to visit his wife. However, she had an additional burden: Michael himself was not well and needed caregivers.
Marguerite sadly postponed the inevitable decision to find a facility for Michael. "He's family," she told his case worker, who referred to Marguerite as a saint. On the other hand, she recognized that she would soon not be able to manage, even with caregivers.
On May 13, Marguerite's body was found in her home. She had been bludgeoned to death. One small comfort in the face of such a violent death is that she likely didn't know what happened to her. Michael has been charged with second-degree murder; he is currently awaiting trial.
We have so many reasons to celebrate Marguerite's life. She loved teaching and her students. She was a lover of art, especially Chinese art and furniture, and both were evident in abundance in her home. She was the mainstay of her family. Only after her death did we learn that she was a philanthropist as well. She was a generous benefactor to Western and the University of Toronto, with the establishment of scholarships, bursaries and fellowships.
St. Matthew's was filled for her funeral. We sang the hymns she had chosen and heard the biblical passages she had selected. Among the prayers was one that gave thanks for her gentle and generous spirit. We all recognized we were better for having been in her circle of Friends.
Betsy CLARKE taught with Marguerite and was a fellow parishioner at St. Matthew's.

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DOW o@ca.on.york_county.toronto.globe_and_mail 2003-10-16 published
Died This Day -- Herbert Henry DOW, 1930
Thursday, October 16, 2003 - Page R11
Chemist and industrialist born in Belleville, Ontario on February 26, 1866; invented method of extracting bromine from prehistoric, underground brine; by age of 32, had 100 patents; best known for work on halogen; founded multinational giant, Dow Chemical Inc.

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DOWDALL o@ca.on.york_county.toronto.globe_and_mail 2003-12-11 published
TERDIK, Joseph (Superintendent, Peel Regional Police, Ret'd) Joe died December 9th, with dignity, in the warmth of his family's love. He was most proud of his service to the community of Mississauga/Peel the officers he commanded and his warm Friendship with Hazel. An Federal Bureau of Investigation Graduate (Pres. Fit. Award), Medal of Bravery (Miss. Disaster, Personnel Deployment) Exemplary Service Award, Exec. Officer to the Chief, Cmdr. 11 Div., Cmdr. Spec. Services, Crim. Intel. Bureau, Cdn Police College Lecturer, Author: Mgmt. Audit Manual, founding Pres. Sr. Officers Assoc. Born Windsor, March 1943, resident in Peel till 1997, adoring husband of Barbara DOWDALL- TERDIK, father of Robert (Jessica, Meaghan, Ashley); Jodey (Paul) LITTLE (Caleb, Taelor); Susan CORNWELL; Proud son of John (dec.) and Irene TERDIK, brother of Bill (Karen;) John (Donna) Irene (Aimo) MANNINEN. Cherished brother-in-law to David (Paul); Susan (Shane); Peggy (Don, Tom, Mimi) Catherine (Rob, Graeme, Iain, Allison, Colleen) and special Joanna DOWDALL. Friends will be received at the C. Stuart Sykes Funeral Home, 91 Division St. S., Kingsville from 2: 00 to 4:00 p.m. and 7: 00 to 9:00 p.m., Friday. Funeral service from the funeral home Saturday, December 13th at 11: 00 a.m. Remembrances: Palliative Care, Hotel-Dieu Grace Hospital, 1030 Ouellette Ave., Windsor, Ontario N9A 1E1

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DOWNIE o@ca.on.york_county.toronto.globe_and_mail 2003-04-22 published
He founded Readers' Club of Canada
Nationalist visionary struggled financially to publish Canadian writers
By Carol COOPER Special to The Globe and Mail Tuesday, April 22, 2003 - Page R7
In the early 1960s, when writers asked Peter and Carol MARTIN where to publish their manuscripts on Canada, the couple realized how few choices there were. Inspired, the Martins, both voracious readers, staunch nationalists and founders of the Readers' Club of Canada, decided to start their own press. In 1965, Peter Martin Associates came into being. Last month, Peter MARTIN died of lung cancer in Ottawa.
In an industry overshadowed by American companies, Peter MARTIN Associates was among the first in a wave of independent publishing houses to open during a time of rising Canadian nationalism.
Launched in a downtown Toronto basement on a shoestring budget, skeleton staff, idealism and enthusiasm, the company flew by the seat of its pants. Its employees were often young and new to the business. But many, including Peter CARVER, Michael SOLOMON and Valerie WYATT, went on to become Canadian mainstays.
"It really was a time of Canadian nationalism and those of us who believed in that cause could see what Peter and Carol were doing," said Ms. WYATT, a children's editor who spent four years with the company in the seventies.
During the 16 years before its sale in 1981, Peter Martin Associates published approximately 170 works, mainly non-fiction. Its presses put out I, Nuligak, the autobiography of an Inuit man; The Boyd Gang by Marjorie LAMB and Barry PEARSON; Trapping is My Life by John TETSO; and the Handbook of Canadian Film by Eleanor BEATTIE. Others who came through their doors included Hugh HOOD, Robert FULFORD, John Robert COLOMBO, Douglas FETHERLING and Mary Alice DOWNIE -- all to have their works published.
Started with small amounts of seed money from private investors and no government funding, Peter Martin Associates constantly struggled financially. At one point, for a bit of extra cash, the office became the designated nuclear-fallout shelter for the street. Pat DACEY, once the firm's book designer, lugged suitcases of books up the street to sell at Britnell's bookstore with summer employee Bronwyn DRAINIE.
Working at Peter Martin Associates was always fun, Ms. WYATT said. "You went in to work happy and you stayed happy all day."
Still, in a time when Canadian works received little recognition, she remembers finding it difficult to get media interviews for the author of Martin-published book.
Yet another title caused trouble with its subject. The company was putting out a collection of previously published sayings of former prime minister John DIEFENBAKER, called I Never Say Anything Provocative, edited by Margaret WENTE. Mr. DIEFENBAKER heard about the project, called Mr. MARTIN and threatened to sue. Mr. MARTIN stood firm.
"He handled it with such élan," said writer Tim WYNNE- JONES, then in the art department. "He was suitably dutiful, but not in awe. Mr. DIEFENBAKER was just over the top, as was his wont."
The book went to press and Mr. DIEFENBAKER did not go to court.
Once listed along with Peter GZOWSKI in a Maclean's magazine article on "Young Men to Watch," Mr. MARTIN was born on April 26, 1934 in Ottawa to a dentist father and a mother who drove an ambulance in the First World War. The younger of two sons, he attended Trinity College School in Port Hope, Ontario and the University of Toronto, where he earned a degree in philosophy.
During a year in Ottawa as the president of the National Federation of University Students, Mr. MARTIN met his first wife Carol. They married in 1956 and moved to Toronto. Three years later, they founded the Readers' Club in Featuring one Canadian book a month, it distributed works by Mordecai RICHLER, Irving LAYTON, Morley CALLAGHAN and Brian MOORE among others, and supplied its members with coupons. While continuing to run the Readers' Club (sold in 1978 to Saturday Night Magazine and closed in 1981), the MARTINs started Peter Martin Associates.
Throughout his career, Mr. MARTIN spoke out for Canadian publishing. Alarmed by the sale of Ryerson Press and Gage Educational Press in 1970 to American firms, he called a meeting of publishers to discuss problems in the industry. Named the Independent Publishers Association, the group started in 1971 with 16 members and with Mr. MARTIN as its first president. In 1976, it was renamed the Association of Canadian Publishers and continues today with 140 members. As a result of the group's efforts, Canadian publishing began to receive federal and provincial funding.
In the late 1970s, the MARTINs went their separate ways. Afterward, Mr. MARTIN published a small newspaper, The Downtowner, and owned a cookbook store with his second wife, Maggie NIEMI. In 1983, they moved near Sudbury, Ontario, where Mr. MARTIN did freelance book and theatre reviews, then moved to Ottawa in 1985 to work as president for Balmuir Books, publisher of the magazine International Perspectives and consulting editor for the University of Ottawa Press.
After a spinal-cord injury in 1997, Mr. MARTIN was left a quadriplegic, except for limited use of his left arm. Even so, he remained active, maintained a heavy e-mail correspondence and spent time in the park reading while seated in a bright-yellow wheelchair.
Mr. MARTIN leaves his children Pamela, Christopher and Jeremy and his wife Maggie NIEMI. He died on March 15.

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DOWNING o@ca.on.york_county.toronto.globe_and_mail 2003-08-23 published
Artist focused on geometric shapes
Sculptor helped to design precast concrete panels that sheathe the University of Toronto Medical Sciences Building
By Carol COOPER Special to The Globe and Mail Saturday, August 23, 2003 - Page F8
Robert DOWNING thought that he needed lessons in order to become an artist. Entering a storefront studio in his hometown of Hamilton, he paid the $1 fee and was asked what he wanted to make. When he replied that he didn't know, the studio owner told him to come back when he did and gave him back his buck.
Turning to the door, Mr. DOWNING realized that whatever he did was in his own hands. Deciding upon this as the subject of a sculpture, he paid again and, in clay, fashioned a hand with a spike through it. Upon seeing the sculpture, the studio owner returned Mr. DOWNING's dollar, saying, "You don't need me. You know what you want to do."
A creator of sculptures, paintings, prints, photographs and digital art, Mr. DOWNING has died at the age of 67.
His work appeared in the Ontario Centennial Art Exhibit, the National Art Gallery of Canada Sculpture '67 Exhibit and at Habitat during Expo 67. In partnership with sculptor Ted BIELER, Mr. DOWNING designed the precast concrete panels that sheathe the University of Toronto Medical Sciences Building and, on his own, designed two of its interior concrete-sculpted walls.
In 1969, he was the first Canadian to have a solo exhibition at the Whitechapel Art Gallery in London.
His work is also found in the National Art Gallery of Canada, the Art Gallery of Ontario, the University of Saskatchewan's gallery and the Singapore National Museum among many others and were included in 77 exhibitions in seven countries. As well, he completed 16 commissions in three countries.
Largely self-taught, Mr. DOWNING, a one-time police officer, burst onto the scene during the late '60s with his Cube Series in aluminum and Plexiglass. A highly intellectual artist, who often explored sophisticated mathematical concepts in his work, he created 108 cube-related sculptures for the series. Seventy-four appeared in the Whitechapel show and the British Arts Council purchased one, The Cube Turned Inside Out Revealing the Relationship of the Sphere.
Mr. DOWNING's work remained centred on geometric shapes throughout his career. "I am one of those people who views geometry as a divine expression of integration between the physical and the spiritual," he wrote in a brochure. He attributed his interest in organic geometry to the works of sculptors Eli Bornstein and Tony Smith, and the Art and Technology Movement.
Despite his intellectual bent, spirituality figured large in Mr. DOWNING's art and provided his inspiration to pursue it. When he was a Hamilton policeman, he was relaxing after a shift. "I suddenly became conscious of the warm glow of a transparent rose-coloured light completely surrounding me," he wrote in his memoirs, Feeling My Way.
"I was still aware of my body, but I felt myself to be extended into and penetrated by this light, which simultaneously caused me to feel radiant pulsations of pure love. It was as though I, somehow, had transcended the physical plane and, for a brief moment of time, experienced a cosmic level of infinite bliss."
Thereafter, Mr. DOWNING felt a new sensitivity to life and found himself in an almost trance-like state when observing the world around him. He left the police force -- and his family -- to become an artist. He maintained, "I've been given to make art in celebration of life as a humble song of praise to the Divine Creator of All."
Mr. DOWNING was born on August 1, 1935, in Hamilton, one of two children of a Canadian Westinghouse labourer and a housekeeper. When he was young, the family lived in a tent while waiting for housing.
In early adolescence, bedridden with a bout of rheumatic fever, Mr. DOWNING discovered that he enjoyed working with his hands by threading macaroni and constructing lilac-shell pictures.
Leaving school at 15 with a Grade 8 education, Mr. DOWNING delivered telegrams before joining the Canadian navy for five years. There he worked in food stores and as a photographer. After the service, Mr. DOWNING joined the Hamilton Police Force.
Early in his art career, Mr. DOWNING became discouraged by his attempts to sell his work in Toronto. He hit the road, travelling to Montreal and then to Vancouver, where he sold his first sculpture in 1962.
Still seeking a direction, he moved with his second wife to California, where they ran an antique shop. Mr. DOWNING experimented with d-Lysergic Acid Diethylamide and yoga, and participated in a couple of shows.
Returning to Toronto, Mr. DOWNING approached Mr. BIELER, who taught at the University of Toronto, for instruction. With Mr. BIELER's encouragement, he began his exploration of the cube. "He used whatever was available to dig into this and then came up with some quite interesting stuff," said Mr. BIELER, now a professor at York University in Toronto.
Selling his house to pay for shipping his sculpture to Whitechapel Art Gallery, Mr. DOWNING ended up after the show emotionally and financially exhausted. To recover, he spent a year studying the sitar.
After the bubble of government funding for art during Canada's centennial period burst, Mr. DOWNING and other Canadian artists found themselves short of work and money.
"By the end of 1972, my commissions and sales of art had completely evaporated," he wrote in a preamble to his Fibonacci Series. The only job he could find was teaching at an Ontario private school.
Throughout his career, Mr. DOWNING taught at several institutions, including U of T, the Ontario College of Art and the Banff School of Fine Art, all the while living a hand-to-mouth existence. Still, despite a lack of money and critical attention, he created prolifically, in series that often overlapped, carefully recording his creative process and organizing his works.
During the '70s, influenced by Mr. Bornstein's work, Asian philosophy, crystals and numerology, he explored the hexagon, producing a trial printing set for children and his I'Ching Series, a notebook in which he placed a diary-like record beside a tangram (a Chinese puzzle consisting of five triangles, a square and a rhomboid) based on a computer printout.
While in hospital in 1974 with a heart attack, Mr. DOWNING worked with construction paper and scissors and formed a three-dimensional shape that led to the Fibonacci Series, also called the Nothing Series. The 24 solid-steel castings and eight metal powder and fibreglass life-sized sculptures reflect a system Mr. DOWNING said he discovered, of combining squares, equilateral triangles and pentagons. Some of the works' proportions contained the Fibonacci ratio. (In the Fibonacci sequence -- 1, 1, 2, 3, 5, 8 etc. -- each successive number is equal to the sum of the preceding two numbers.)
When discharged from the hospital, Mr. DOWNING was unable to pay his mortgage. He sold the house and moved with his third wife and family to California, where he lived from 1974 to 1978. He taught at California State College in Long Beach and continued with the Fibonacci Series.
Entering the '80s, Mr. DOWNING turned to conceptual/performance art. In conceptual art, the works themselves are not considered important, but are intended to examine the language and system of art. Performance art presents actual events as art to a live audience, as opposed to the illusions of events presented by theatre.
For the series Art Isn't? Mr. DOWNING used a Canada Council grant to solicit work from the presidents of Canada's top 500 companies. Asked by the council to reimburse the money because he had not used it to create art, Mr. DOWNING agreed to send a monthly cheque for 10 per cent of his income. The amount came to $2.
The Canada Council responded with a request for a bigger cheque and Mr. DOWNING complied. Using a photocopier, he enlarged a $2 cheque and sent it off.
"He was desperately honest and he would not put up with bullshit at all," sculptor and artist Gord SMITH said. "He stayed on top of the Canada Council.... He believed passionately in the culture and knew it was going down."
Also during the '80s, Mr. DOWNING produced many Documeditation works, which included Transentials in Space, the work he said in 1992 was the most significant of his life. Describing it as a visual literacy program, he spent two years developing the three-volume work.
Always an outspoken advocate for his calling, Mr. DOWNING helped to found Canadian Artists Representatives in 1967. Driven, brilliant, often difficult and prickly, he was frustrated by his inability to qualify for grants from the Ontario government. He lacked the formal training the government required and went to the offices of the Minister of Culture and Citizenship to state his case. Screaming, " This isn't art?" Mr. DOWNING hurled his portfolio to the ground. The minister's office called the police.
Mr. DOWNING described his Closet Art, from 1984 to 1987, as "an installation piece which outgrew the confines of two large storage closets and raised the question of how practical it was for a senior artist to continue playing the role of an unpaid custodian of earlier work that had long proven itself to qualify as legitimate cultural property."
He donated the works to the Art Gallery of Hamilton, counting the 250-page record of his negotiations with the gallery as a Documeditation. "Coming back to these [donated] works again and again one is reminded of the expansive scope of Mr. DOWNING's thinking, of the evolving nature of his practice," said the gallery's chief curator, Shirley MADILL.
Mr. DOWNING left Canada once again to make a living in the late '80s, working and teaching in Botswana and Singapore. Returning because of ill health, he spent his last years largely confined to his apartment. He found a creative outlet, producing computer-generated images, once again exploring geometric forms. In 1998, as artist-in-residence at the U of T, he developed a Web site containing a retrospective of his work.
Always outspoken, a quality that alienated many, in the spring of 2002, he published an Internet manifesto announcing his resignation as a practising Canadian artist. In it, he chastized business, government, galleries and academia for not supporting artists in general and him in particular.
At his death on July 22, Mr. DOWNING had not sold his work in Canada for the past 15 years. Still he continued to promote it, even receiving a posthumous rejection.
"Robert's first love was his art, and his life was his art, and that's the beginning and end of it," said his fourth wife, Mickey DOWNING.
Mr. DOWNING leaves his wife, Mickey, two ex-wives, children Michael DOWNING and Sara ROBINSON, and three grandchildren.

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DOWNS o@ca.on.york_county.toronto.globe_and_mail 2003-09-13 published
Singer was hit on Hit Parade
Canadian-born performer played violin with Jack Benny and posed as wife of Sid Caesar
By James McCREADY Special to The Globe and Mail Saturday, September 13, 2003 - Page F11
She was called "Canada's First Lady of Song." In the late 1940s, singer Gisele MacKENZIE was so popular on Canadian Broadcasting Corporation radio that she was known just by her first name.
When she was 23, she headed off to Hollywood, where she became one of the main singers on Your Hit Parade, a popular American network television show in the 1950s. By the time television started in Canada in 1952, she was already a star in the United States, appearing on programs with Jack Benny and later with Sid Caesar, the hottest comedian of his day.
Gisele MacKENZIE, who has died at the age of 76, was not always known by that name. On the Canadian Broadcasting Corporation, she was known simply as Gisele, though a 1950 Canadian Broadcasting Corporation press release did call her by her proper name -- Gisele LAFLECHE. As soon as she moved to CBS in 1951, she adopted the stage name Gisele MacKENZIE. The reason, she told a New York reporter in 1955, was that the name Gisele LAFLECHE "sounded too much like a striptease artist's." The real explanation was an American audience would have trouble with so French a name. It was the television network that ordered the name change.
Marie Marguerite Louise Gisele LAFLECHE was born on January 10, 1927, in Winnipeg. The name MacKENZIE was from her paternal grandmother. Her father, Georges, was a doctor, who played the violin, and her mother, Marietta MANSEAU, was a concert pianist and singer as a young woman. Ms. MacKENZIE started playing the violin seriously when she was 7. She made her first public performance at the Royal Alexandra Hotel in Winnipeg at the age of 12.
When she was 14, her family sent her to the Royal Conservatory of Music in Toronto. She studied the violin and the piano, and planned on being a concert violinist. Later in life, a story circulated that she never took voice lessons, but Jim GUTHRO, who was at the conservatory at the same time, remembered a voice teacher who took an interest in her. He also remembered that she attended at the same time as Robert GOULET and they would sing together.
When she first came to Toronto, she stayed at Rosary Hall, a residence for Catholic girls on Bloor Street at the top of Jarvis Street. Tess MALLOY, who was there at the same time, remembered her. "She lived right across the hall from me. She and her girlfriend used to drive us nuts practising the violin."
Ms. MALLOY didn't remember her singing at the residence, but somewhere along the way someone discovered Ms. MacKENZIE could sing. It was close to the end of the war and she started to perform for groups of servicemen. It was then that she was discovered by musician Bob SHUTTLEWORTH, a lieutenant who led a band for the Royal Canadian Navy.
Right after the war, she started singing with Mr. SHUTTLEWORTH's band at the Glenmount Hotel on the Lake of Bays, north of Toronto. Mr. SHUTTLEWORTH, who later became her manager and her husband, took her to the Canadian Broadcasting Corporation, which then broadcast live popular music over the radio.
"Bob SHUTTLEWORTH called me at the Canadian Broadcasting Corporation and said, 'Get a studio, a piano and a vocal mike. I have someone I want you to hear,' recalled Jackie RAE, then a music producer at the Canadian Broadcasting Corporation, later leader of his own band (and, incidentally, the uncle of former Ontario premier Bob RAE.) "I remember her wonderful voice and how fresh she was. We hired her straight away to do three programs a week."
The program was Meet Gisele, and it ran for 15 minutes on Monday, Wednesday and Friday. The program started on October 8, 1946, and lasted for four years. She was so popular the Canadian Broadcasting Corporation used her in other programs with names such as The Girl Next Door or The Song Pluggers.
In 1951, Ms. MacKENZIE was spotted by Bing CROSBY's son, and went to work in the United States for Bob CROSBY's Club 15, bumping the Andrews Sisters from their regular slot. The pay was $20,000 (U.S.) a year, worth $150,000 in today's money. She was 23.
The money was something Canada could never match. Mr. GUTHRO, later head of Variety at the Canadian Broadcasting Corporation, guesses she was making $200 a week for her radio programs.
"Gisele Leaves for Hollywood. Canada's Loss," read a headline in one Toronto paper. The article guessed at the pay package, and it was right.
Ms. MacKENZIE was about to have her best decade ever in show business. After a short stint on Club 15, she worked on the Mario Lanza Show, before landing her full-time job at Your Hit Parade. The idea behind the NBC program was to take the top seven songs on the hit parade that week and have them done by the regular singers in the Your Hit Parade troupe. The half-hour program was a huge success in the United States and in late 1953 the Canadian Broadcasting Corporation picked it up for a while.
Ms. MacKENZIE was the only regular singer on the program to have her own hit record, Hard to Get, in 1955.
Though none of her family shared her success, all were musical. There were her parents, both of whom were serious amateur musicians two of her sisters sang and played, and a brother played the cello. Along with Gisele, two of them had what is called perfect pitch.
"It's rare and she had it," Mr. RAE said. "You would play four notes on the piano and she could match them. Perfect pitch isn't always a great thing, but in her case it was."
Ms. MacKENZIE's training as a classical violinist came in handy on the Jack Benny program, on which she first appeared in 1955. The droll comedian always made a thing of how he couldn't play the violin. One vaudeville-type act they would do on his show involved her patiently showing him what to do with a violin after he made some awful screeching noise with his bow.
She was Jack Benny's protégé, and he helped land her own television program in 1958. Called the Gisele MacKENZIE Show, it lasted only six months.
But she remained famous. At one stage, she was the subject of This is Your Life, which involved linking up with old Friends and relatives. She was a regular on game shows that featured minor celebrities, such as Hollywood Squares.
In 1963, she was cast as Sid Caesar's television wife and made regular trips to New York City, where the program was done. Like other television programs of that era, it was live, since videotape was only just being introduced.
Ms. MacKENZIE also acted and sang in live musicals in the United States, things such as Annie Get Your Gun and South Pacific. Over the years, she also worked in Las Vegas, performing in night clubs there. She returned to Canada for the occasional concert and television special, including one on the Canadian Broadcasting Corporation in late 1960. It was about "her story book career" and included the yarn, always told by her publicists, of how she decided to take up singing after she lost her $3,000 violin.
By the end of the 1960s, the big work started to dry up and Canadian newspapers were running the occasional "Where Are They Now" articles. She was in a sprawling ranch house in suburban Encino, Calif. She also owned property in Palmdale and Marin County, Calif., as well as a house on Lake Manitoba back home.
All that detail came up in a nasty divorce from Mr. SHUTTLEWORTH in 1968. Because he was also her manager, he kept 10 per cent of her gross income for the next three years. She later married a banker, Robert KLEIN, but that also ended in divorce.
During the rest of her career, Ms. MacKENZIE kept working in regional theatre and made guest appearances on television series, including MacGyver and Murder, She Wrote, as well as singing stints on programs such as the Dean Martin Show. She also did television commercials in the United States and Canada.
Ms. MacKENZIE had some odd hobbies. She collected and mixed exotic perfumes and in the 1950s she took up target shooting, becoming an expert shot. She and her first husband had a large collection of pistols, rifles and shotguns. In her later years, like many Hollywood stars, she was involved with Scientology.
Ms. MacKENZIE, who died in Burbank, Calif., on September 5, had two children with Mr. SHUTTLEWORTH, a son Mac and a daughter Gigi (short for Gisele) DOWNS.

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